Uri Ben-Ari is an independent architect and researcher living in Eindhoven since 2007. His work currently tackles urban research methods, from mapping and evaluating patterns of growth, through analyzing existing planning policies, and offering site-specific, pragmatic courses of action. He considers himself a mediator, linking visions with real-time requirements and behavior.
Ben-Ari is the initiator and co-curator of Instatements, a physical and virtual platform that seeks to redefine adaptive reuse and redevelopment, based on ex-industrial buildings, their historic versus contemporary prototypes and their significance with regard to the city centre.

22.3.08

competition, Netherlands 2007




ARTWALK
a panoptic coridoor where art folds in on itself
with DaF-architecten, Rotterdam, the Netherlands



Dimensions
15 m. sided regular pentagon


competition slogan
"center of creative industry"


besides housing art, showrooms invariably deal with the communicative tension between artist and visitor. even more so, temporary pavilions abound with human interaction - having long since become a stage for observing and being observed rather than shells or storage units.

ARTWALK offers a chance to reinterpret the stage by using two simple intermediaries - architectural detachment and active video-monitoring.

opposing the norms of buildings within boundary limits, the exhibition coridoor slices through the site. all that remains visible are an entrance and an exit. in-between activity of visitors can be monitored by CCD cameras; patterns of movement, verbal comments and facial expressions appear alongside the sought-out art objects, a valuable asset. everyone checks rating, everybody is a star. the ensuing material is recorded and screened in 5-minute delay along the outer perimeter or uploaded to wherever. anyone bringing in their own device is welcome.
art is constantly manipulating our sense of time and space, with the viewer as player, potential decision-maker, able to show him/herself, voice an opinion, and change sides.

the sense of non-place was already enhanced by the competition requirements: an abandoned railroad adjacent to the Rotterdam Fruit Pier. lightweight construction for relocation atop an existing building. in such an event, side doors are opened to create front-and backyards, extra outdoor workspace. the long facades with their multiple entries enable further partitions for living spaces within the requested atelier. Adding more rooms on the outside is facilitated by the walls’ removable elements. the cameras will remain, though - for security's sake.

places of residence

Tel-Aviv
interior design

kitchen

bathroom




food-eye view

ten questions

architecture, so they tell us, is actually more about asking questions than providing answers. Here's ten of them:

Where does the built environment overlap with the un-built, the public spaces, the leftovers, the in-between?
Can the architectural discourse be influenced by non-architects, and if so, how?
What are the key factors in erecting a new building - or reusing an existing one?
In what way does architecture portray the identity of place?
Who are the forces behind today's monumental architecture? What is the extent of architectural research in any design process?
What are the up-and-coming tools of the trade, what do they express and which of them has effectively upgraded conventional, 'old-school' methods?
How is 'green' influencing today's buildings and cities?
To what limits, or on what scale should sustainable, eco-friendly elements be implemented as architectural requirements?
Will the sustainable issue stay on as a permanent factor in the future?